Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself!Follow Marcus Scott on social media Instagram: @marcusdscottAfter you watch, check out today for all your music instrument and pro audio needs! is the blog site where you can get well-researched microphone reviews, microphone buying guides, and everything related to microphones. The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. 5:52 Thanks for Watching! Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. The Shure KSM9 is a great choice as a live mic. But the Shures smaller dual diaphragm design may give it the edge when it comes to a natural, clear and authentic sound. Jan 28, 2013. Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater youre wondering what video gear we use, check it out Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. This compliance is completely absent in a single-diaphragm cardioid capsule, of course. What's the problem with your 58? The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. The Sennheiser also has a slightly larger diaphragm than the Shure. And of these, the SM57 and SM58 are industry-standard around the world. Great site. 3:06 Shure KSM9 Only Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". The sound engineer will normally mute the mic from the mixing desk when needed. The unique feature of KSM9 is a switchable pattern (cardioid vs. supercardioid), which gives greaterflexibility for any situation or environment. In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. Dualdyne capsule continues the ongoing evolution of microphone technology. Ultimately they often sound better. All rights reserved. Finally, dynamic mics are passive meaning they dont require any power. Essential was founded with a belief and mission to empower people through design. The KSM8 really is impressive for a dynamic mic. When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. MusicRadar is part of Future plc, an international media group and leading digital publisher. In Europe, call 49-7262-92490. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. The casing has an integrated three-state pop protection grille, which acts like a pop-shield and reduces plosives, breath and wind noise. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. Theyre probably best-known for their affordable handheld dynamic stage microphones. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. Re: Shure Beta 87c Vs. KSM9. Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. It's the industry standard live vocal mic. This mic has all the detail and nuance that youd expect from a studio condenser. . Leveraging trend, user research, and other data, we turn ambiguity into clarity, define organizing principles, and chart trajectories for product offerings, brands, and businesses. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. An internal shock mount offers the kind of durability youd expect from a live mic. Shures KSM8 introduces the Braunmhl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. Shure: KSM8 & KSM9 Microphones. Bath But guess you are looking more into a dynamic type of mic. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. Now is the perfect time to get the gear you want with simple, promotional financing. All rights reserved. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as the foundation, works fairly well. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. In the low range, we see a very gentle roll-off from 500Hz and below, with a sharper curve below 100Hz. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. KSM8 is a dynamic with a darker tone. For a vocal dynamic mic, this is expensive. The dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. General Description., Win! This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. Because more aspects of life and work are mediated through technology, we design multi-channel digital solutions that create seamless user experiences. Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. DUAL DIAPHRAGM TECH. Check out the Shure KSM8 here: to Sweetwater: Price $699. The mic has a dual-diaphragm design that allows it to capture both the low and high frequencies of the voice, resulting in a natural and balanced sound. I prefer the KSM9 over the Beta87C. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. Microphone sound absorption and reflection. As lead vocalist of prog metal band im in doubt between the dynamic KSM8 and the KSM9.. What would you recommend? Strategically positioning and bringing to life new brands. The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. Follow Marcus Scott on social media 3:26 What We Heard For comparison the SM58 only reaches 15kHz. So, are there any downsides? Its similar in design to the classic Shure SM58, but with a squarer grille at the head of the microphone. This makes it ideal for recording vocals or instruments in a studio setting. It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. It can also be a bit more forgiving when it comes to microphone technique. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. This mic offers dynamic lows, balanced mids and sparkling highs. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. Crucially for a live condenser, theres also a suspension shock mount. Consider helping Sound Forums keep the lights on. Interesting Essay On Sampling Rights and Reforms. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. Shure KSM9. Happy customers, one piece of gear at a time! The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. This is like having two mics in one, and is a real bonus. This website uses cookies to improve your experience. Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. One of the very latest advances was introduced by American microphone manufacturers Shure at the Winter NAMM show at the start of this year, in the form of the worlds first dual-diaphragm dynamic handheld microphone, the KSM8. Enter the KSM8. Your IP: The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. I think its fair to say, condenser mics are generally most at home in the recording studio. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: The Behringer Keyboards 'n' Stuff Thread #3, Re: Mic Question M300 vs MKH 8040 or alternative. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. Thats a tough one. 2:11 Shure KSM8 Only The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. Where the magic happens! Given the absence, until now, of dual-diaphragm technology in moving-coil mics, it wont surprise anyone to learn that constructing such a design is extremely difficult, not least because of the need to squeeze the magnetic assembly between the two diaphragms, the spacing of which is restricted by the requirements of the internal acoustic structure. A Sweetwater Sales Engineer will get back to you shortly. This delivers a more natural response throughout the vocal range, eliminating the need for a strong presence peak. A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance. Well, at 429, this mic doesnt come cheap. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. . However, the KSM9 has this covered. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. Re: KSM9 vs. If your audio interface or mixer doesnt provide phantom power, there is a solution: You can connect your mic to an external 48 volt phantom supply. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. 25 Feb/23. If you have any questions not answered in this guide, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00 am to 4:30 pm, CST. and all parts are high grade. Shure1 launch cloud_download BLX B/SHURE B/ PSM300 B (806810MHz . A dynamic microphone revolution that only Shure could stage. Cardioid is more natural but may need a louder vocal to combat feedback. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. It is also nice to admit the technological advancements implemented in this unit. Switchable cardioid and super-cardioid patterns. Elegantly crafted products that are simple, useful, and desirable. You can easily make one of these out of stockings, or buy one here. With this taken care of, theres many advantages to using a condenser mic. 1.93 in. By 1967 Electro-Voice had improved the concept and the RE15 model was the first with Continuously Variable-D technology. The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. Both mics have their pros and cons, so it can be tough to decide which one to buy. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? The Neumann KMS 105, on the other hand, is a more affordable option that still provides great sound quality. Performance & security by Cloudflare. Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. Consequently, the polar pattern will have a deep rearward null, and we call that a cardioid response. It may not display this or other websites correctly. Theyre both handheld condenser mics optimised for live performance. At 191 mm (7.5"), it's slightly longer than the Shure SM58. They are just in completely different leagues. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. KSM9 is a top line mic and I assure you its pretty tough the capsule is well protected, and if dropped, the internal suspension can easily handle the shock. Are some types more durable than other similar in the live performance category? The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. Shure Audio Institute. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. Condenser mics are generally considered as sensitive to handling vibrations; however, in case with KSM9 the difference is tremendous. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. Click to reveal Shure QLXD2/KSM9. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones.